![]() ![]() Rule of odds relates to a number of subjects on an image, and reflects the idea that odd number of subjects is more interesting than an even number. This rule also helps in determining where the focal point should be placed in order to achieve a dynamic composition. Rule of thirds is linked with the division of an image into thirds horizontally and vertically in order to avoid bisecting which is not very visually pleasing. There are distinctions between conventional and unconventional compositions, and most of the conventional ones can be achieved with the techniques such as rule of thirds, rule of odds, rule of space and simplification, among others. Sometimes term composition is used interchangeably with other terms such as structure, ordering, or design. Although some of the principles changed with time, the careful and thought-out placement of elements plays an integral role in every successful composition, being that of visual arts, music or writing. It can be simply defined as the arrangement of visual elements according to the principles that were established in visual practices over the centuries. ![]() The term composition means ‘putting together’ or ‘the act of combining parts or elements to form a whole’, and through these explanations much can be concluded what composition in art stands for. In order to better understand the importance of composition in art we look at its meaning, elements, and politics.īarnet Newman - Cathedra, 1951, Image via Minimalism of Barnett Newman ‘zips’ are a good example of how compositional simplicity can stand for complex ideas engaged with the problematic of the everyday. Modern and contemporary scene seems to preserve adherence to compositional rules, although contextual meanings surrounding it often affect the readings of such works. Rules of symmetry and convention guided artisans, although today some of the best works from the past are considered to be the ones that disobeyed such rules. Can a composition at the same time be visually pleasing while its conceptual potential remains undisturbed? It seems that such questions were obsolete in previous centuries when art served as a representational tool of different religious and social dogmas. The difficulty in defining composition comes from these sometimes mutually exclusive positions. This may mean that a work of art is aesthetically satisfying, but often in modern and contemporary art this includes achieving additional goals such as being politically provoking, or disruptive of different visual or social tropes. Composition in art stands for an ordering of artistic elements in a unifying way that makes a final result effective. ![]()
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